Art exhibition is usually temporary displays of works of art for the public view. Art exhibitions are a basic way of acquainting viewers with painting, sculpture, graphic arts and other form of Art work.
Through this page, ART SCOUT, my intent is to help kids maximize their natural artistic ability. Kids derive an amazing amount of satisfaction in seeing their works displayed and admired… The images below are from an Art Exhibition at FRENCH VILLAGE INT’L COLLEGE, AJARA – BADAGRY, LAGOS NIGERIA.
Tuesday, April 12, 2011
Saturday, February 26, 2011
ADIRE- TIE AND DYE
ADIRE - TIE AND DYE.
Adire translates as tie and dye, perhaps more than any art form, Adire textile reflects
the richness of Nigerian cultural heritage. For this reason making of the Art of Adire
should be encouraged in schools, and it could be adopted into school uniforms as a way
of promoting our culture.
The Adire textiles are a viable means of which the rich African Cultural heritage
and ideas could be convey to other culture and outside world.
Adire, tie and dye is a resist process, which consists of tying, knotting, folding
or sewing certain parts of the cloth in a way that when immersed in dye solution,
the dye will not penetrate into the tied area of the fabric.
The production of Adire textile is done in two ways in which both are resist methods
of dying a pattern on a fabric. A part of the cloth is protected before it is immersed
into the dye bath. The resisting agent, such as rafia or cotton thread resists the dye
so as not to penetrate into the resisted areas.
THE MAKING OF ADIRE (TIE & DYE)–
.Materials For Tie & Dye:
i. Fabric- all kinds of cotton cloth are suitable.
ii. Dye
iii. Dye Chemicals- Caustic Soda, Sodium Hydro sulphite, Soda Ash, Common Salt
iv. Dye Vessels- Any vessels of enamel, Stainless, Steel and galvanized ware
are suitable for hot and cold dyes.
v. Thread- All kinds of string, Bast, T wist, Yarn, Raffia(iko), etc
vi. Spoon- For measuring and adding dye
vii. Sticks- For Stirring the Dye
viii. Scissors
ix. Rubber Gloves
x. Apron
xi. Pins & Needles
xii. Iron
xiii. Pencil, Chalk or Charcoal
xiv. Ruler
v. Polythene Bags(of all sizes)
THE PROCESS
- THE TYING OF THE FABRIC INTO THE DESIRED DESIGN.
- MIXING OF THE DYE AND THE CHEMICALS WITH HOT WATER.
- DIPPING THE TIED FABRIC INTO DYE SOLUTION.
- AFTER A WHILE THE FABRIC IS REMOVED AND UNTIED.
- IT IS WASHED THOROUGHLY TO REMOVE EXCESS DYE.
- IT IS THEN SPREAD TO BE DRIED.
- FINALLY, YOU IRON THE FABRIC.
WRITTEN BY: MR. ADENIYI OLUSEGUN MICHAEL, VISUAL ART INSTRUCTOR. (www.olusegunadeniyi.blogspot.com)
MODELS: VISUAL ART STUDENTS OF FRENCH VILLAGE INTERNATIONAL COLLEGE, BADAGRY, LAGOS STATE.
Adire translates as tie and dye, perhaps more than any art form, Adire textile reflects
the richness of Nigerian cultural heritage. For this reason making of the Art of Adire
should be encouraged in schools, and it could be adopted into school uniforms as a way
of promoting our culture.
The Adire textiles are a viable means of which the rich African Cultural heritage
and ideas could be convey to other culture and outside world.
Adire, tie and dye is a resist process, which consists of tying, knotting, folding
or sewing certain parts of the cloth in a way that when immersed in dye solution,
the dye will not penetrate into the tied area of the fabric.
The production of Adire textile is done in two ways in which both are resist methods
of dying a pattern on a fabric. A part of the cloth is protected before it is immersed
into the dye bath. The resisting agent, such as rafia or cotton thread resists the dye
so as not to penetrate into the resisted areas.
THE MAKING OF ADIRE (TIE & DYE)–
.Materials For Tie & Dye:
i. Fabric- all kinds of cotton cloth are suitable.
ii. Dye
iii. Dye Chemicals- Caustic Soda, Sodium Hydro sulphite, Soda Ash, Common Salt
iv. Dye Vessels- Any vessels of enamel, Stainless, Steel and galvanized ware
are suitable for hot and cold dyes.
v. Thread- All kinds of string, Bast, T wist, Yarn, Raffia(iko), etc
vi. Spoon- For measuring and adding dye
vii. Sticks- For Stirring the Dye
viii. Scissors
ix. Rubber Gloves
x. Apron
xi. Pins & Needles
xii. Iron
xiii. Pencil, Chalk or Charcoal
xiv. Ruler
v. Polythene Bags(of all sizes)
THE PROCESS
- THE TYING OF THE FABRIC INTO THE DESIRED DESIGN.
- MIXING OF THE DYE AND THE CHEMICALS WITH HOT WATER.
- DIPPING THE TIED FABRIC INTO DYE SOLUTION.
- AFTER A WHILE THE FABRIC IS REMOVED AND UNTIED.
- IT IS WASHED THOROUGHLY TO REMOVE EXCESS DYE.
- IT IS THEN SPREAD TO BE DRIED.
- FINALLY, YOU IRON THE FABRIC.
WRITTEN BY: MR. ADENIYI OLUSEGUN MICHAEL, VISUAL ART INSTRUCTOR. (www.olusegunadeniyi.blogspot.com)
MODELS: VISUAL ART STUDENTS OF FRENCH VILLAGE INTERNATIONAL COLLEGE, BADAGRY, LAGOS STATE.
Tuesday, January 18, 2011
IF EVERY PARENTS COULD BE MR AND MRS PIUS REMET...
...Many talents could have come alive... The story of Onarietta Issabella Remet-The world's youngest exhibiting artist and Africa's youngest professional artist with about 168 original paintings. Onarietta, an abstract impressionist painter, will be seven this year and her parents are determined to hone her talent of painting for further development. Born to Nigerian parents, Pius and Lillian Remet of Urhobo and Edo extraction on April 30, 2004.
Her parents believe that the power of human creativity gave Onarietta the platform, courage and confidence needed to project herself as an exceptional kid at a tender age. I'm delighted to share the story of this young talented artist on this blog. kudos to her parents! read more about Onarietta's work on www.onariettaremet.com
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